[Prince George's Sentinel] An Enchanted Evening with 'South Pacific'

[Prince George's Sentinel] An Enchanted Evening with 'South Pacific'

“I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description.”

So begins James Michener’s “Tales of the South Pacific,” the book which was the inspirational source of  Rodgers and Hammerstein’s classic musical “South Pacific.”

The challenge of this musical was to combine visual beauty with the horror of war while sprinkling in elements of romantic comedy.

The Riverside Center for the Performing Arts production, masterfully directed by and choreographed by Penny Ayn Maas and produced by Patrick A’Hearn, succeeds in weaving these delicate threads of the music together and is complemented with an outstanding cast and brilliant singing and musical numbers.

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[Culpeper Times] CURTAIN CALLS: Islands of delight dot 'South Pacific'

[Culpeper Times] CURTAIN CALLS: Islands of delight dot 'South Pacific'

One enchanted evening many years ago (seventy, to be exact) Messrs. Rodgers and Hammerstein opened their mint new musical, “South Pacific”, for its New Haven and Boston previews. The response was immediate and enthusiastic… Riverside Center’s just-opened production scores where it counts most in this tale of two non-traditional love affairs and war in the Pacific. Central to the conflict are one middle-aged Frenchman with the mysterious past, Emile de Becque, and his much younger love interest, the Arkansas-bred nurse, Ensign Nellie Forbush. Around them swirl issues of Japanese invasion, high jinks among the sailors, and a separate, doomed love affair with further racial implications.

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