[Prince George's Sentinel] ‘Leapin’ lizards!’ A swell ‘Annie’ with heart
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[Prince George's Sentinel] ‘Leapin’ lizards!’ A swell ‘Annie’ with heart

…The world now knows and loves “Little Orphan Annie” simply as “Annie,” the eternally optimistic (and pro-Roosevelt!) red-headed protagonist of the stage musical and subsequent film franchise.

Just as we briefly returned above to the comic pages of yore, Director Patrick A’Hearn returns the musical to its original version, for – like the comic-strip character herself – the show “Annie” has been revised many times since the character’s first appearance on Broadway in 1977.

What A’Hearn found missing in post-1977 versions was heart, he told us, and that he restores in full measure in his production currently playing at the Riverside Center for the Performing Arts in Fredericksburg, Virginia.

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[Prince George's Sentinel] An Enchanted Evening with 'South Pacific'

[Prince George's Sentinel] An Enchanted Evening with 'South Pacific'

“I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description.”

So begins James Michener’s “Tales of the South Pacific,” the book which was the inspirational source of  Rodgers and Hammerstein’s classic musical “South Pacific.”

The challenge of this musical was to combine visual beauty with the horror of war while sprinkling in elements of romantic comedy.

The Riverside Center for the Performing Arts production, masterfully directed by and choreographed by Penny Ayn Maas and produced by Patrick A’Hearn, succeeds in weaving these delicate threads of the music together and is complemented with an outstanding cast and brilliant singing and musical numbers.

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