Guest User 8/3/23 Guest User 8/3/23

[Free Lance-Star Review] A grand '42nd Street' makes its way to Riverside

If you ever wondered what happens before the curtain goes up opening night, take a journey to “42nd Street.”

Beyond the marquee lights, there’s also a lot of sweat and tears—not to mention broken ankles, thugs, meltdowns and romantic entanglements.

This Tony-winning classic, onstage at the Riverside Center for the Performing Arts, is absolutely pure enjoyment as it throws audiences into the Golden Age of musicals.

Guest User 7/26/23 Guest User 7/26/23

[Potomac Local News Review] ‘42nd Street’ at Riverside has got a lot of what it takes to make you smile

The players returned to Riverside Center for the Performing Arts to present “42nd Street,” a story about a girl who moves from a small town to New York City to find fame on Broadway.

Riverside’s production of the high-energy show stars Andrea McArdle as Dorothy Brock, the seasoned star hired to make the fictitious show in the play, “Pretty Lady,” a hit. The iconic McArdle has appeared in several Broadway plays, including her heart-winning performance in the title role of “Annie” in 1977, a major musical based on the comic strip “Little Orphan Annie.”

Guest User 7/24/23 Guest User 7/24/23

[DC Theater Arts Review] ‘42nd Street’ is a winner at Riverside Center for the Performing Arts

An aspiring chorus girl from Allentown, Pennsylvania, Peggy Sawyer, arrives in Depression-era New York and joins the ensemble of Pretty Lady, a new Broadway show. Right before opening night, the star of the show breaks her ankle. Will Peggy be able to step into the starring role and soar to stardom? With marvelous tap numbers, snazzy costumes, and well-known songs like “I Only Have Eyes for You,” “We’re in the Money,” “Lullaby of Broadway,” and “42nd Street,” the musical 42nd Street at Riverside Center for the Performing Arts is a winner.

Guest User 2/5/23 Guest User 2/5/23

[DC Theater Arts] ‘Escape to Margaritaville’ charms at Riverside Center for the Performing Arts

Riverside Center for the Performing Arts is kicking off its 25th year with one party of a production! Jimmy Buffett’s Escape to Margaritaville has everything a good celebration needs: tropical drinks on the beach, lively music and dancing, romance, and even a smattering of zombies (you read that right).

Guest User 1/25/23 Guest User 1/25/23

[FLS] Review: Jimmy Buffett's 'Escape to Margaritaville' pours on the charm at Riverside

With these cold, gray days and talk of a wintry mix, a trip to Margaritaville sounds pretty nice right about now. The reality is that it’s not an actual place, but it sure feels like it at Riverside.

The performing arts center has been transformed into a piece of paradise in the Caribbean, where vacation-starved tourists, bachelorettes and colorful locals come out to play, hook up or just chill out. Jimmy Buffett’s “Escape to Margaritaville,” onstage through March 5, is a feel-good show wrapped in the sun-drenched sounds of the Key West-loving crooner.

Kendric Walpole 8/17/22 Kendric Walpole 8/17/22

[DCTA Review] Engaging ‘Guess Who’s Coming to Dinner’ is served at Riverside Center for the Performing Arts

A whirlwind of different viewpoints and an incredibly interesting study of American culture and racism, all handled by the actors beautifully.

Kendric Walpole 8/4/22 Kendric Walpole 8/4/22

[MD Theatre Guide Review] ‘Guess Who’s Coming to Dinner’ at Riverside Center for the Performing Arts

Many dinner theatres run primarily on popular musicals. Patrick A’Hearn, producer of Riverside Center for the Performing Arts in Fredericksburg, Virginia, challenges this trend by presenting at least one non-musical production per year. His selection this year is “Guess Who’s Coming to Dinner,” a bold choice in spite of being based on an award-winning film from 1967.

Guest User 8/4/21 Guest User 8/4/21

[Free Lance-Star] Review: Riverside's 'Grumpy Old Men' musical is a sweet charmer

The news is looking pretty grim these days, with the exception of the pandemic-delayed Olympics (go, USA!), but the theater is a place we can go to escape for a few hours.

Riverside Center for the Performing Arts continues its run of nostalgia-heavy shows, following the recent “Marvelous Wonderettes” that was overflowing with crowd-pleasing songs from the 1950s and ’60s. For its latest production, however, the theater isn’t going that far back.

“Grumpy Old Men” is a sweet surprise for another movie-turned-musical. Based on the 1993 classic starring Jack Lemmon and Walter Matthau, the story follows two neighbors feuding over the town’s foxy newcomer as they also grapple with changing times, financial troubles and—for one of them—a ridiculously persistent tax collector.

Guest User 6/17/21 Guest User 6/17/21

[Free Lance-Star Review] Sweet, silly 'Marvelous Wonderettes' hits all the right notes

Summer is almost here and there’s a certain radiant energy in the air as life is starting to feel a little normal again. And one bright spot can be found at Riverside Center for the Performing Arts, with its new show “The Marvelous Wonderettes.”

The past year has been a long and challenging one, and this charming jukebox musical takes audiences on a welcome journey to another era—making you forget we’re living in pandemic at least for a little while.

10/9/20 10/9/20

[The Free Lance-Star] Bravissimo: Riverside's production of 'Souvenir' is music to my ears

Florence Foster Jenkins might be the world’s worst opera singer, but for me, she’s music to my ears.

“Souvenir,” onstage at Riverside Center for the Performing Arts, is a charmer of a show about a wealthy socialite who simply wants to share her musical gifts with others and raise money for charities. There’s just a tiny little problem: She can’t carry a tune.

1/30/20 1/30/20

[The Free Lance-Star] Review: 'Grease' is a colorful ride through nostalgia at Riverside

“Grease” is getting a whole lot of lovin’ this year. With a TV spinoff in the works and a vibrant production at the Riverside Center for the Performing Arts, this story about a group of teenagers living it up in small-town 1959 America continues to resonate.

11/3/19 11/3/19

[Culpeper Times] CURTAIN CALLS: Leapin' Lizards! It's 'Annie'

Yes, we’re polarized and angry, uncertain about the future, defensive about our politics, but hey! The sun’ll come out tomorrow!

Maybe that sounds like impossible optimism, or “an unstoppable sunshine steamroller” as Ben Brantley called it, but “Annie” has not just survived, it’s thrived because people would rather feel good than bad. It’s almost that simple.

Riverside Center for the Performing Arts welcomes this durable piece of musical theatre to its 22nd season, and it doesn’t disappoint. The little red-headed orphan who entertained our parents and grandparents through the 1920s, the Great Depression, and WWII has had a long run. Based on “Little Orphan Annie”, the comic strip by Harold Gray, “Annie” is the 1977 Broadway musical that snapped up seven Tony Awards and ran for six years before spawning a few less memorable films as well as three Broadway revivals.

10/31/19 10/31/19

[DC Metro Theater Arts] Review: ‘Annie’ at Riverside Center for the Performing Arts

Riverside Center for the Performing Arts presents Annie, the beloved Broadway darling that has enchanted audiences through generations! With its Book by Thomas Meehan, Music by Charles Strouse, and Lyrics by Martin Charnin, Annie has won seven Tony awards, including Best Musical. Producing Artistic Director Patrick A’Hearn directs a powerhouse cast for this production, led by the incomparable Sally Struthers, who is reprising her role as Miss Hannigan from the 20th Anniversary National Tour.

10/31/19 10/31/19

[The Zebra Press] Review: This “Annie” Proves that Once is Simply Not Enough!

“Annie” now playing at the Riverside Center for the Arts has regained its position as a first-class musical. “Why,” you may ask? Because it has a first-rate, A++ cast! Not only that, the seven-piece orchestra conducted by Carson Eubank supports this production perfectly and can stand on its own (and does in several joyous instances). Additionally, the heroic set by Frank Foster includes brilliant projections curated by director Patrick A’Hearn that indelibly stamp the era in your mind before the show even opens and appear occasionally during the show to great advantage.

10/31/19 10/31/19

[Free Lance-Star] Review: 'Annie' is a big-hearted charmer at Riverside

Little Orphan Annie made her début in Harold Gray’s comic strip in 1924, and almost 100 years later, this spirited redhead continues to inspire people’s hopes for a better tomorrow.

“Annie,” now onstage at Riverside, is a sweet, feel-good family show. As the first few notes of the musical’s overture start to trickle out, it’s hard not to smile and feel nostalgic about the beloved 1982 film starring Aileen Quinn as the effervescent streetwise redhead. Movie lovers will notice some differences in the musical version featuring a book by Thomas Meehan (no scary bridge scene), but overall, one thing’s for certain: This story about an optimistic orphan in search of her parents has a big heart.

10/31/19 10/31/19

[Prince George's Sentinel] ‘Leapin’ lizards!’ A swell ‘Annie’ with heart

…The world now knows and loves “Little Orphan Annie” simply as “Annie,” the eternally optimistic (and pro-Roosevelt!) red-headed protagonist of the stage musical and subsequent film franchise.

Just as we briefly returned above to the comic pages of yore, Director Patrick A’Hearn returns the musical to its original version, for – like the comic-strip character herself – the show “Annie” has been revised many times since the character’s first appearance on Broadway in 1977.

What A’Hearn found missing in post-1977 versions was heart, he told us, and that he restores in full measure in his production currently playing at the Riverside Center for the Performing Arts in Fredericksburg, Virginia.

8/5/19 8/5/19

[Prince George's Sentinel] An Enchanted Evening with 'South Pacific'

“I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description.”

So begins James Michener’s “Tales of the South Pacific,” the book which was the inspirational source of Rodgers and Hammerstein’s classic musical “South Pacific.”

The challenge of this musical was to combine visual beauty with the horror of war while sprinkling in elements of romantic comedy.

The Riverside Center for the Performing Arts production, masterfully directed by and choreographed by Penny Ayn Maas and produced by Patrick A’Hearn, succeeds in weaving these delicate threads of the music together and is complemented with an outstanding cast and brilliant singing and musical numbers.

8/5/19 8/5/19

[DC Metro Theatre Arts] Review: ‘South Pacific’ at Riverside Center for the Performing Arts

Riverside Center for the Performing Arts presents Rodgers and Hammerstein’s South Pacific. The winner of multiple Tony awards, as well as the Pulitzer Prize for Drama, South Pacific continues to charm audiences seventy years after its debut. Penny Ayn Maas directs and choreographs a powerhouse cast for this beloved production.

8/5/19 8/5/19

[Culpeper Times] CURTAIN CALLS: Islands of delight dot 'South Pacific'

One enchanted evening many years ago (seventy, to be exact) Messrs. Rodgers and Hammerstein opened their mint new musical, “South Pacific”, for its New Haven and Boston previews. The response was immediate and enthusiastic… Riverside Center’s just-opened production scores where it counts most in this tale of two non-traditional love affairs and war in the Pacific. Central to the conflict are one middle-aged Frenchman with the mysterious past, Emile de Becque, and his much younger love interest, the Arkansas-bred nurse, Ensign Nellie Forbush. Around them swirl issues of Japanese invasion, high jinks among the sailors, and a separate, doomed love affair with further racial implications.

6/4/19 6/4/19

DC Metro Theater Arts Review: ‘The Pirates of Penzance (or the Rascals of the Rappahannock)’ at Riverside Center

Riverside Center of the Performing Arts reprises Gilbert and Sullivan’s The Pirates of Penzance, a two-act comic operetta that was first produced in December of 1879, and remains in production to this day! Director and Adaptor Catherine Flye gives the show (originally set in Cornwall) a local spin by placing the action on the banks of the Rappahannock River and offering the revised title Rascals of the Rappahannock.

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